As a child, I didn’t know it yet, but everything in my world was preparing me to make creation my language.
My mother’s unique and sensitive world, my father’s creative discipline, and my aunt’s artistic culture have shaped the way I see the world. I’ve explored all kinds of crafts, always with great care and a passion for detail.
My childhood
I learned sewing with my grandmother and my cousin, explored painting, ceramics, and drawing, but it was polymer clay that fascinated me for hours. I would model tiny miniatures and turn them into jewelry, completely absorbed in the process.
At the same time, I joined Opéra Junior, a singing association that allowed a group of young people to produce shows every year under professional conditions. I spent eight years there, learning teamwork, sharing, and discovering the fascinating world of performance and stage direction.
Teenage years
During my teenage years, as I was exploring myself and my identity, I put aside these manual activities, but I developed a strong interest in fashion, especially vintage and second-hand.
That passion, passed down by my mother and my aunt, led me to spend hours at flea markets, searching for the unexpected and for pieces with a story.
After high school, encouraged by my parents who still saw in me that creative little girl I had left behind, I spent a year studying art, fashion, and textiles at university in Strasbourg. It was an experience in which I thrived, and it reinforced my need to stay close to creativity.
Then I joined the Bachelor’s in Fashion and Creative Industries Management at the Institut Français de la Mode in Paris, and things became more complicated. I had chosen what I thought was a “creative” school, but the management program completely erased me, leaving me confused about my professional direction.
Deep down, that creative and manual need had never left me, but I was too afraid to admit it or let it express itself. Privately, I wrote poems and kept a journal to understand and explore all my emotions.
Melbourne, Australia
To finish my bachelor’s degree, I went on exchange to Melbourne, an experience that deeply changed my vision of the world and of myself.
There, I discovered photography, which allowed me to give images to the poems I was writing more and more often, while learning English with people from all over the world.
Bali, Indonesia
Soon after, I got a job at a fashion brand in Bali, which led me to suddenly move to Indonesia, ending my experience in Melbourne while completing my degree in Paris.
For several months, I developed my interest in photography and graphic design, while exploring communication. But a deeper need started resurfacing, a desire to follow my instincts and reconnect with the little girl who used to sculpt in her room.
Foundation of Nomès
At the beginning of 2025, I discovered the lost-wax jewelry technique, combining sculpting and texture work, and it awakened in me the desire to bring together my love for fashion, jewelry, and craftsmanship.
After meeting Agus, a Balinese artisan from a family of silversmiths, I started bringing my project to life. With him, I learned to master this technique, discover the world of semi-precious stones, and work with solid silver.
From dream to jewelry
After a first pre-collection that allowed me to learn from my early mistakes, I decided to fully dedicate myself to creating my first collection.
With Nomès, I want to celebrate imperfection, contradictions, and that boldness that makes life unpredictable. I want to share the idea that you don’t need to know exactly who you are or what you’re capable of before starting. To create is to accept making mistakes and starting over.
Today, jewelry is my way of expression, the one the little girl in me once dreamed of. A passion that reflects my vision of beauty: imperfect, raw, and sensitive.

